An early super 8 horror short film by Mark Borchardt

The raw material used in Blow-up comprises two shots from an old educational film about first aid: A man demonstrates mouth-to-mouth resuscitation on a life-size dummy; the dummy's chest rises and falls. Fruhauf introduces this scene into his own métier, turning the "blow-up" metaphor into an image with a false bottom. With the aid of a digital photocopier, the strip of film was reduced in size to a narrow ribbon, and Blow-up shows this transformation in reverse: The ribbon is resuscitated, swelling gradually until the initial image is recognizable and, in the end, fills the screen. And this would not be a Fruhauf work if this educational film on the cinematographic body did not conclude with a roguish smile...

The raw material used in Blow-up comprises two shots from an old educational film about first aid: A man demonstrates mouth-to-mouth resuscitation on a life-size dummy; the dummy's chest rises and falls. Fruhauf introduces this scene into his own métier, turning the "blow-up" metaphor into an image with a false bottom. With the aid of a digital photocopier, the strip of film was reduced in size to a narrow ribbon, and Blow-up shows this transformation in reverse: The ribbon is resuscitated, swelling gradually until the initial image is recognizable and, in the end, fills the screen. And this would not be a Fruhauf work if this educational film on the cinematographic body did not conclude with a roguish smile...

A group of best’ friends private and wildly inappropriate, year-long group chat is hacked, which risks upending their individual lives and friendship with one another.

A crew of young environmental activists execute a daring mission to sabotage an oil pipeline.

真相与幻想之间的界限是什么？感官是否能助我们认识世界？影片用一个摄影师的故事，铺开了一系列哲学、心理学的问号。 主角是摄影师托马斯，某天他在公园里抓拍到年轻情侣的系列照片，出人意表的是，照片中的一个女子简竟然不惜一切代价要回她的底片。这让托马斯非常疑惑，他相信这张照片许是拍下了某些不可告人的秘密。果然，他把照片放大后，看到了一具尸体和一个拿着枪的人。 一桩谋杀案的雏形在托马斯脑中展开。他前往公园寻到了尸体，但没有人肯相信他的推测，朋友们不愿意和他一起调查这是怎么回事。第二天，当托马斯再次来到公园，发现尸体已经消失无踪。只剩下一群人进行着一场虚拟的网球赛，打着并不存在的的网球。

John Boorman reflects on the personal influences shaping his life and films in this short work, blending family, neighbors, and the Wicklow Mountains landscape surrounding his Irish home.

A boy named George Jung grows up in a struggling family in the 1950's. His mother nags at her husband as he is trying to make a living for the family. It is finally revealed that George's father cannot make a living and the family goes bankrupt. George does not want the same thing to happen to him, and his friend Tuna, in the 1960's, suggests that he deal marijuana. He is a big hit in California in the 1960's, yet he goes to jail, where he finds out about the wonders of cocaine. As a result, when released, he gets rich by bringing cocaine to America. However, he soon pays the price.

Many banners has been put up all over a town. The banners read, “Asshole living in room 302 in Rainbow villa has carried on with my wife for five years. I will kill him without fail.” A boy asks his first love if she would like to him to remove them. She answers, “Fuck you.”

Many banners has been put up all over a town. The banners read, “Asshole living in room 302 in Rainbow villa has carried on with my wife for five years. I will kill him without fail.” A boy asks his first love if she would like to him to remove them. She answers, “Fuck you.”